| Description: More than simply relying on widely accepted notions of originality and uniqueness, and the role of the artist, the work explores "the conceptualist belief that all art is dependent upon institutional practices, forms of distribution, and a structure that is preestablished by discursive and institutional conventions".
Concerns are similar to Helio Oiticica's in his Brazilian New Objectivity, and reflect "an engagement and position on political, social, and ethical problems" we encounter on a daily basis. |
